So at first, I didn’t even realise the trailer had started—it just sort of crept in. But as it went on, I clocked how unsettling it was getting, with these flashes of this guy (who I’m assuming is the main character), and I’m still not even sure “body horror” fully covers it.
It starts very slow—just a bandaged face staring out. Then quick cuts: a blond-haired man, back to the bandages, then him in a crowd, maybe at a premiere. Then it escalates—someone cutting into his face, injections, masks… all very fragmented and uncomfortable.
As it builds, continuing with shots of the bandages, that’s when it gets mad. His face starts melting while he’s looking in the mirror? In ome shot, he’s running through the street in another, and there are these flashes of him screaming—but his mouth isn’t opening properly, his lips are stretching in a way that just looks wrong. At one point he takes off his sunglasses and his eye is basically sealed shut.
And then that moment—he rubs his hand across his face and just… moves or maybe rubs away all of his features. Wild.
Clayface already looks like it’s going to be something completely different for the superhero genre. It leans hard into horror, and not in a safe way either. Considering Clayface is a villain, it’ll be interesting to see how this plays out, especially when Batman eventually comes into it.
So, I’m probably still a few months away from doing live trailer reactions while I finish setting up, but for now—let’s talk about this.
If you watched Daredevil Season 2 on Netflix, then you already know one of the absolute standout moments was that rooftop scene between Daredevil and the Punisher. The dialogue, the tension—everything about Frank Castle in that season just worked. Then we got The Punisher Seasons 1 and 2, which only deepened how compelling his character is.
Fast forward to Daredevil: Born Again (which, as I’ve said before, basically feels like Season 4 of the Netflix show), and Frank’s conversation with Matt is a pivotal moment in Matt’s decision-making and inner conflict. So seeing the Punisher show up in the Spider-Man: Brand New Day trailer? That’s something I don’t think any of us realised we needed—but we absolutely did. And this trailer? It completely goes off.
It opens with Frank sitting in a chair, listening to a friend speaking to him. There are flashes of people around him—maybe real, maybe not—which makes it feel like either a flashback or something playing out in his head. Frank looks through a viewfinder, there is a woman screaming, and then a brutal shot of Frank using someone as a human shield, taking a shotgun blast to the chest.
We then cut back to his friend confronting him about his past, intercut with flashes of Frank’s daughter, a gravesite, and a young girl in a diner. Then suddenly, Frank is walking topless, carrying a massive gun—pure Punisher energy.
One standout moment shows liquid seeping under a door. You hear it ignite, and Frank’s legs catch fire. And right there, I knew exactly what was coming—I literally called it—he charges straight through the flames and crashes through the door in classic Frank Castle fashion.
From there, it’s chaos. He’s walking through the streets as everything falls apart. A little girl calls out “Daddy,” while the girl from the diner is being taken away. Frank charges in with a baseball bat. We see him on top of a building fighting multiple men at once—throwing some over the edge, using others as shields, even going up against someone wielding an axe. He’s diving through windows, leaping backwards off buildings while firing, taking people out in diners—it’s relentless. And then the final shot: dressed in black, revealing the iconic skull logo across his chest.
This trailer is incredible.
Story-wise, it could go either way—it might be thin, or it could surprise us. Right now, it’s hard to tell but he is a beloved character and Jon plays him very well. I’m also not sure why it’s called "One Last Kill" so hopefully not a limited series, but like Loki, may end up with a "sequel" if the reaponse is right. We do not know exactly where it sits in the current MCU timeline—if it even does. It could be a standalone story, which seems likely, even though the Daredevil connections are now essentially canon.
It’ll be interesting to see whether this picks up from The Punisher series, Daredevil: Born Again, or somehow ties into Spider-Man: Brand New Day—or if it just exists on its own while still being awesome, hopefully.
Episode 4 opens with Benjamin Poindexter moving through a quiet, almost methodical routine—making breakfast, getting in some light exercise, even leaving food out for his landlord’s cat. It’s calm, controlled… and deeply unsettling once you remember who he is. This all leads into the diner sequence teased in the trailer, where he arrives—and, notably, leaves without incident.
That said, the trailer definitely cherry-picked the most intense moments, because the full scene plays out with far more restraint. Once Bullseye exits, the episode shifts focus back to Karen Page and Matt Murdock as they begin interviewing the hostages. It’s here that the legal side of things starts to take shape, with Karen eventually bringing in attorney Kirsten McDuffie to help strengthen their position.
Matt, of course, takes things a step further. His investigation leads him straight to Bullseye, culminating in a brutal and incredibly well-choreographed fight inside Bullseye’s apartment. It’s one of the standout moments of the episode—raw, intense, and very much in line with what fans expect from Daredevil at his best.
What makes it more interesting is Bullseye’s mindset. He genuinely claims to be one of the “good guys,” and as the episode unfolds, it becomes clear that he’s working towards a larger plan. By the end, that plan is set into motion—or at least appears to be—leaving things on a very tense note.
One thing I’ve really come to appreciate about Daredevil: Born Again is how it carries over the grounded tone of the Netflix series while clearly benefiting from a bigger budget and more stylistic confidence. There’s a noticeable flair to it now, and New York feels more alive—almost like a character in its own right. You see everyday people reacting through video clips, sharing opinions, taking sides on vigilantes, Fisk, Daredevil—it all adds texture to the world. There’s even a layer of real-world reflection woven in, reinforcing that “art imitates life” idea.
This episode strikes a strong balance between drama and action, and honestly, it feels closer to what Season 1 of Born Again should have been from the start. That said, looking back, you can see what they were aiming for—and with how this episode ends, the title feels very fitting: All Gloves Are Off.
If I had one criticism, it’s that some of the plot points feel a bit too telegraphed. You can see certain developments coming from a mile away, which takes away a bit of the tension. It doesn’t ruin the experience, but it does hold it back slightly from being truly unpredictable.
Still, this is a strong episode—and a clear sign that the series is finding its footing.
